Barthe's theory is about five codes that are "woven into any plot", although I will only be focusing on the 'action' and 'enigma' codes. The 'enigma code' refers to anything that isn't fully explained to the audience and becomes a mystery to them, giving them clues about what is happening but not fully telling them. The 'action code' refers to any action that implies a further narrative action - making the audience want to know what the outcome of the action is.
In my film, the action code applies to the bad things happening to Holly's friends, making it look as though there's a supernatural being behind it all. The plot twist in the film relies on the audience wanting to know what is causing everything and then, when Michael is revealed to be causing everything, they realise that the enigma codes all add up and it's been obvious that it's been Michael all along. This could make them want to re-watch the film now that they have a different perspective and the enigma codes no longer apply.
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